KENNETH NOLAND "CIRCLE I", 1978 Bruce LaBruce photograph Rotella was a cinema-lover and

Rotella was a cinema-lover and cast Marilyn as the leading lady in many of his most iconic film poster décollages

In recent years she has also been intrigued by nature (including flowers and semi-precious rocks)

Most of her white sculptures were either installations or large-scale creations

“General Idea was at once complicit in and critical of the mechanisms and strategies that join art and commerce

was part of Holzer's Toronto intervention and rare surviving example of her early ephemeral/street art practice

KENNETH NOLAND "CIRCLE I", 1978 Bruce LaBruce photograph Rotella was a cinema-lover andAs a leading figure of the Color Field movement in the 1960s, Kenneth Noland (19242010) made an essential contribution to American abstraction. His iconic works feature signature forms, including concentric circles, patterned chevrons, and grids. In 1978, he began a particularly intense and fruitful period of creating at Tyler Graphics in Bedford, New York. He became an active printmaker and papermaker, working with different techniques and styles